Lightning for Pandur: Fragmentos del alma.
EXPOSICIÓN CUADRIENAL DE PRAGA 2019.
La pieza se ha expuesto en:
Festival Internacional de Teatro Almagro. Julio 2019
Teatro María Guerrero
Concepto y Diseño: Juan Gómez-Cornejo
Fotografías: Aljoša Revolj, Sven Jonke y Ros Ribas
Diseño Audiovisual: Álvaro Luna
Inspirado en el espacio diseñado para INFIERNO, LA DIVINA COMEDIA por Sven Jonke.
Programación: Rubén Vega
Realización: INTERVENTO
Música Mozart – Piano Concerto No.23 in A Major, K 488 Adagio
Spain Pavilion – PQ19
Comisario Ángel Martínez Roger
Organizado: INAEM (Instituto Nacional de las Artes Escénicas y de la Música – Ministerio de Cultura y Deporte), AC/E (Acción Cultural Española), AECID (Agencia Española de Cooperación Internacional para el Desarrollo), Instituto Cervantes, RESAD (Real Escuela Superior de Arte Dramático)
Juan Gómez Cornejo participa en la Exposición PQ19 como artista invitado, en la sección de Fragmentos. para esta exposición crea una pieza que recoge los nueves trabajos realizados con el director de escena esloveno Tomaz Pandur. Desde su primera colaboración en Infierno en el Teatro María Guerrero en el 2005 hasta su última colaboración King Lear en el Festival de Atenas en el Pireo en 2015.
Esta pieza evidencia la fructífera relación artística con el director y su equipo. Su contemplación es una inmersión en el lenguaje estético panduriano.
The work by Juan Gómez-Cornejo is a fundamental element for comprehending the development of
theatre lighting in Spain as well as the organization and technical equipment in some of the most important Spanish theatre. Cornejo is responsible for the most important technological advances
and developments in many theatre and he is a figure that the very heart of the changes that have advanced Spain at all levels towards a completely modern theatre.
The artist develops daring and audacious atmospheres, giving the best of himself to dramatic texts with a power of abstraction distant from conventional lighting, entering worlds of major poetic impact and expressive force. Gómez-Cornejo’s prolific body of work serves as an important school and is a major influence not only for lighting designers, but also for directors and performance designers, who, under his advice and teachings, have developed the current understanding of scenography and stage direction. As a result of his work, he has been awarded several prizes, including the Spanish National Theatre Award, the most prestigious award in Spain. For Fragments, a cube-box installation has been created that narrates and describes the lighting work that Juan Gómez Cornejo has done for the works that Slovenian Tomaž Pandur directed in Spain, paying homage to the career and major contribution made by both to the Spanish stage.
“A discrete man of few words, sitting at the table along with the other members of the arts team, listens very carefully. Without making his presence felt, Juan Gómez-Cornejo will to all intents and
purposes bear ultimate responsibility for a major artistic and poetic creation made via light. He knows how to carefully read and capture the wishes of stage directors and so find and produce luminous spaces sublimated to beauty by design. The way Juan treats light enables spaciousness and versatility due to its substantial and formal mobility, a set of privileged conditions that thanks to games of metaphor generate extraordinary spaces of key signifiers to enable comprehension and resolution of the drama. He uses technique, abstraction and poetry to translate concepts in detail, until the
invisible and elusive elements of the eternal emotions and values of the theatre are captured, reached and expressed: desire, love and hope, rage, the struggle, fear, war… He can create the most disparate atmospheres at the service of the most diverse dramaturgies.
His work becomes the wise, elegant and courteous lead of many of the sets he designs”
– Ángel Martínez Roger, Curator for Spain
AUDIOVISUALES
Lighting For Pandur. Fragmentos Del Alma
Installation inspired by the space designed by Sven Jonke for Infierno o El libro del alma Pictures by Aljoša Revolj, Sven Jonke y Ros Ribas
Construction Intervento.
Audiovisual Composition Alvaro Luna
Music Mozart – Piano Concerto No.23 in A Major, K 488 Adagio and music fragments of the plays Included in the installation
Spain Pavilion – PQ19
Curator Ángel Martínez Roger
Organizers: INAEM (Instituto Nacional de las Artes Escénicas y de la Música – Ministerio de
Cultura y Deporte), AC/E (Acción Cultural Española), AECID (Agencia Española de Cooperación Internacional para el Desarrollo), Instituto Cervantes, RESAD (Real Escuela Superior de Arte Dramático)
Plays Included In The Installation
King Lear
George Kimoulis, 2015
Author: William Shakespeare
Adaptation and Dramaturgy: Livija Pandur
Translation: George Kimoulis
Direction: Tomaž Pandur
Set Design: Sven Jonke
Costume Design: Felype De Lima
Music: Silence
Lighting Design: Juan Gómez Cornejo
Sound Design: Mariano García
Cast: George Kimoulis,
Argiris Pantazaras, Stefania Goulioti,
Kora Karvouni, Pinelopi Tsilika,
George Gallos, Prometheus Aliferopoulos, Harry Tzortzakis, Nikoleta Faltseta, Adamandia & Zeta Mastrodouka, Zoi & Michaela Petraki, Vicky Rene Vronska Chatzilia
Fausto
Centro Dramático Nacional, Madrid, 2014
Author: J. W. Goethe
Adapted by: Livija Pandur, Tomaž Pandur,
and Lada Kastelan
Translation: Pablo Vilar
Dramaturgy: Livija Pandur.
Direction: Tomaž Pandur.
Music: Silence.
Set Design: Sven Jonke (Numen / For Use)
Costume Design: Felype De Lima.
Lighting Design: Juan Gómez-Cornejo.
Video Design: Dorijan Kolundzija
Cast: Manuel Castillo, Víctor Clavijo, Roberto Enríquez, Alberto Frías, Emilio Gavira, Aarón Lobato, Rubén Mascato, Pablo Rivero, Marina Salas and Ana Wagener
La Caída De Los Dioses
(La Caduta Degli Dei)
Teatro Español (Madrid) with the
collaboration of Teatro Calderón
(Valladolid) and Festival Grec (Barcelona),
Author: Nicola Badalucco, Enrico Medioli
and Luchino Visconti
Adaptation and Direction: Tomaž Pandur
Set Design: Numen (Sven Jonke)
Costume Design: Angelica Atlagić
Video Design: Álvaro Luna
Music Coordination: Antonio Moreno
Lighting Designer: Juan Gómez-Cornejo
Cast: Belén Rueda, Nur Levi, Manuel
de Blas, Francisco Boira, Pablo Rivero,
Fernando Cayo, Alberto Jiménez, Emilio
Gavira and Santi Marin
Piano: Ramón Grau
Rat I Mir
(War And Peace)
Zagreb, 2011
Coproduced by Croatian National
Theatre, Pandur Theaters, and European
Capital of culture, Maribor 2012
Author: Leon Tolstoi
Translation: Zlatko Crnković
Adaptation: Darko Lukić
Dramaturgy: Livija Pandur
Direction: Tomaž Pandur.
Set Design: Sven Jonke,
Nikola Radeljović (Numen)
Costume Design: Danica Dedijer
Lighting Design: Juan Gómez Cornejo.
Sound Design: Žekjko Jedinak
Music: Boris Benko and Primož Hladnik
Cast: Livio Badurina, Goran Grgić,
Zriknka Cvitešić, Milan Pleština,
Alma Prica, Pero Kvrgić, Lana Barić,
Milena Zupančič, Ivan Glowatzky,
Nera Stipičević, Franjo Kuhar, Iva Mihalić,
Luka Dragić, Damir Markovina,
Bojan Navojec, Siniša Popović,
Dora Lipovčan, Dušan Bućan,
Nikša Kušelj
Symphony of Sorrowful Songs
Staatsballett Berlin and Staatsoper
Unter den Linden, Berlin, 2010
Author/Composer: Henrik Gorecki
A contemporary ballet based on H. Gorecki’s Symphony of Sorrowful Songs
Direction: Tomaž Pandur.
Choreography: Ronald Savković
Adaptation: Livija Pandur
and Darko Lukić
Set Design: Numen
Costume Design: Angelica Atlagić
Lighting Design: Juan Gómez-Cornejo
Cast: Hanna Schygulla, Soloists and corps de ballet des Staatsballetts Berlin:
Vladimir Malakhov, Ronald Savković, Nadja Saidakova, Beatrice Knop,
Elisa Carrillo Cabrera and Iana Balova, Elena Pris, Krasina Pavlova, Sarah Mestrović,
Elinor Jagodnik, Natalia Muñoz, Soraya Bruno, Xenia Wiest, Maria Moumpouli, Weronika Fodyma, Michael Banzhaf, Federico Spallitta, Martin Buczkó, Aymeric Mosselmans,
Leonard Jakovina, Dominic Hodal, Arshak Ghalumyan, Vadislav Marinov,
Alexander Shpak, Alexej Orlenco, David Simić, Mehmet Yümak
Hamlet
Teatro Español, Madrid, 2009
Authors: William Shakespeare
Translation: José Ramón Fernández
Version and Direction: Tomaž Pandur
Set Design: Numen
Costume Design: David Delfín
Lighting Design: Juan Gómez-Cornejo.
Sound Design: Mariano García
Cast: Blanca Portillo, Asier Etxeandía, Hugo Silva, Quim Gutiérrez, Susi Sánchez, Manuel Morón, Félix Gómez, Nur al Levi, Aitor Luna, Eduardo Mayo, Damià Plensa, Santi Marín and Manuel Moya
Medea
Festival de Mérida, 2009
Author: Eurípides
Version: Darko Lukić, Livia Pandur
and Tomaž Pandur
Direction: Tomaž Pandur.
Set Design: Sven Jonke for Numen
Costume Design: Angelica Atlagić
Music: Silence
Choreography: Ronald Savković
Lighting Design: Juan Gómez-Cornejo.
Sound Design: Mariano García
Cast: Alberto Jiménez, Asier Etxeandia, Blanca Portillo, Julieta Serrano
Barroco
Centro Cultural de la Villa, Madrid, 2007
Authors: Darko Lukić and Tomaž Pandur,
based on the novel Dangerous liaisons by
Pierre Choderlos de Laclos and the play
Quartet by Heiner Müller
Translation: Álvaro García Meguer
Dramaturgy: Livija Pandur
Direction: Tomaž Pandur
Music: Silence
Set Design: Numen
Costume Design: Angelina Atlagić
Lighting Design: Juan Gómez-Cornejo
Choreography: Nacho Duato
Actors: Blanca Portillo, Asier Etxendía, and Chema León
Infierno O El Libro Del Alma
Centro Dramático Nacional, Madrid, 2005
Authors: Dante Alighieri, Nenad Prokić
Based on the Divine Comedy by Dante,
inspired by Dantes Divinus by Nenad
Prokić and by Works by Francesco de
Sanctis, Milorad Pavic and Camille Plagia
Dramaturgy: Livija Pandur
Spanish version: Luis García Montero
Direction: Tomać Pandur.
Set Design: Sven Jonke, Numen
Costume Design: Angelina Atlajić
Music: Goran Bregović
Lighting Design: Juan Gómez-Cornejo.
Cast: Asier Etxeandia, Roberto Enríquez, Charo López, Sergio Peris-Mencheta,
Juan Codina, Verónica Echegui, Noemí Pérez, Damià Plensa, Alberto Pineda, Carlos Brau, Mikel Larrabeiti, Salvador Masclans, Gabriela Limatola, Amaya Galeote and Ekaterina Borok.