{"id":637,"date":"2020-05-22T15:35:46","date_gmt":"2020-05-22T15:35:46","guid":{"rendered":"https:\/\/test.franparrado.es\/?p=637"},"modified":"2020-06-17T15:45:40","modified_gmt":"2020-06-17T15:45:40","slug":"barroco","status":"publish","type":"post","link":"https:\/\/gomezcornejo.com\/en\/barroco\/","title":{"rendered":"Barroco"},"content":{"rendered":"
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Barroco<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Centro Cultural de la Villa<\/b><\/p>

(Madrid, 2007)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AUTOR<\/strong><\/p>

Darko Luki\u0107<\/em>, Toma\u017e Pandur.\u00a0<\/p>

Basada en la novela Dangerous liaisons de Pierre Choderlos de Laclos and Quartet by Heiner M\u00fcller.<\/p>

\u00a0<\/p>

TRADUCCI\u00d3N\u00a0<\/strong><\/p>

\u00c1lvaro Garc\u00eda Meguer<\/p>

\u00a0<\/p>

DRAMATURGIA<\/strong><\/p>

Livija Pandur<\/p>

\u00a0<\/p>

DIRECCI\u00d3N<\/strong><\/p>

Toma\u017e Pandur<\/p>

\u00a0<\/p>

M\u00daSICA<\/strong><\/p>

Silence<\/p>

\u00a0<\/p>

DISE\u00d1O DE ESCENOGRAF\u00cdA<\/strong><\/p>

Numen<\/p>

\u00a0<\/p>

DISE\u00d1O DE VESTUARIO<\/strong><\/p>

Angelica Atlagi\u0107<\/em><\/p>

\u00a0<\/p>

DISE\u00d1O DE ILUMINACI\u00d3N<\/strong><\/p>

Juan G\u00f3mez-Cornejo<\/p>

\u00a0<\/p>

\u00a0<\/p>

COREOGRAF\u00cdA<\/strong><\/p>

Nacho Duato<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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AUDIOVISUALES<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Anterior Siguiente Centro Cultural de la Villa (Madrid, 2007) AUTOR Darko Luki\u0107, Toma\u017e Pandur.\u00a0 Basada en la novela Dangerous liaisons de Pierre Choderlos de Laclos and Quartet by Heiner M\u00fcller. \u00a0 TRADUCCI\u00d3N\u00a0 \u00c1lvaro Garc\u00eda Meguer \u00a0 DRAMATURGIA Livija Pandur \u00a0 DIRECCI\u00d3N Toma\u017e Pandur \u00a0 M\u00daSICA Silence \u00a0 DISE\u00d1O DE ESCENOGRAF\u00cdA Numen \u00a0 DISE\u00d1O DE VESTUARIO …<\/p>\n

Barroco<\/span> Read More »<\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,10],"tags":[],"class_list":["post-637","post","type-post","status-publish","format-standard","hentry","category-ficha","category-teatro"],"_links":{"self":[{"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/posts\/637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/comments?post=637"}],"version-history":[{"count":3,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/posts\/637\/revisions"}],"predecessor-version":[{"id":2277,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/posts\/637\/revisions\/2277"}],"wp:attachment":[{"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/media?parent=637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/categories?post=637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gomezcornejo.com\/en\/wp-json\/wp\/v2\/tags?post=637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}